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Reflections on the Immaterial: The iconography of water and light in Carlo Scarpa’s Brion Cemetery

Part 2 Dissertation 2017
Daniel Aubrey
Birmingham City University Birmingham UK
Carlo Scarpa’s approach to designing Brion cemetery was as a garden elevated from its surroundings, an island of meadows, pools and heavy enclosures amid a sea of fields. An inverted Venice for the dead. It’s a tranquil garden that articulates a vivid iconography of an idea of life and death in Veneto. This dissertation will examine this iconography by looking at the tools used to achieve it, water and light.

Daniel Aubrey

Tutor(s)
Christian Frost
2017
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